Let us return to Milady, whom a glance thrown upon the coast of France has made us lose sight of for an instant.
We shall find her still in the despairing attitude in which we left her, plunged in an abyss of dismal reflection—a dark hell at the gate of which she has almost left hope behind, because for the first time she doubts, for the first time she fears.
On two occasions her fortune has failed her, on two occasions she has found herself discovered and betrayed; and on these two occasions it was to one fatal genius, sent doubtlessly by the Lord to combat her, that she has succumbed. D'Artagnan has conquered her—her, that invincible power of evil.
He has deceived her in her love, humbled her in her pride, thwarted her in her ambition; and now he ruins her fortune, deprives her of liberty, and even threatens her life. Still more, he has lifted the corner of her mask—that shield with which she covered herself and which rendered her so strong.
D'Artagnan has turned aside from Buckingham, whom she hates as she hates everyone she has loved, the tempest with which Richelieu threatened him in the person of the queen. D'Artagnan had passed himself upon her as de Wardes, for whom she had conceived one of those tigerlike fancies common to women of her character. D'Artagnan knows that terrible secret which she has sworn no one shall know without dying. In short, at the moment in which she has just obtained from Richelieu a carte blanche by the means of which she is about to take vengeance on her enemy, this precious paper is torn from her hands, and it is d'Artagnan who holds her prisoner and is about to send her to some filthy Botany Bay, some infamous Tyburn of the Indian Ocean.
All this she owes to d'Artagnan, without doubt. From whom can come so many disgraces heaped upon her head, if not from him? He alone could have transmitted to Lord de Winter all these frightful secrets which he has discovered, one after another, by a train of fatalities. He knows her brother-in-law. He must have written to him.
What hatred she distills! Motionless, with her burning and fixed glances, in her solitary apartment, how well the outbursts of passion which at times escape from the depths of her chest with her respiration, accompany the sound of the surf which rises, growls, roars, and breaks itself like an eternal and powerless despair against the rocks on which is built this dark and lofty castle! How many magnificent projects of vengeance she conceives by the light of the flashes which her tempestuous passion casts over her mind against Mme. Bonacieux, against Buckingham, but above all against d'Artagnan—projects lost in the distance of the future.
Yes; but in order to avenge herself she must be free. And to be free, a prisoner has to pierce a wall, detach bars, cut through a floor—all undertakings which a patient and strong man may accomplish, but before which the feverish irritations of a woman must give way. Besides, to do all this, time is necessary—months, years; and she has ten or twelve days, as Lord de Winter, her fraternal and terrible jailer, has told her.
And yet, if she were a man she would attempt all this, and perhaps might succeed; why, then, did heaven make the mistake of placing that manlike soul in that frail and delicate body?
The first moments of her captivity were terrible; a few convulsions of rage which she could not suppress paid her debt of feminine weakness to nature. But by degrees she overcame the outbursts of her mad passion; and nervous tremblings which agitated her frame disappeared, and she remained folded within herself like a fatigued serpent in repose.
"Go to, go to! I must have been mad to allow myself to be carried away so," says she, gazing into the glass, which reflects back to her eyes the burning glance by which she appears to interrogate herself. "No violence; violence is the proof of weakness. In the first place, I have never succeeded by that means. Perhaps if I employed my strength against women I might perchance find them weaker than myself, and consequently conquer them; but it is with men that I struggle, and I am but a woman to them. Let me fight like a woman, then; my strength is in my weakness."
Then, as if to render an account to herself of the changes she could place upon her countenance, so mobile and so expressive, she made it take all expressions from that of passionate anger, which convulsed her features, to that of the most sweet, most affectionate, and most seducing smile. Then her hair assumed successively, under her skillful hands, all the undulations she thought might assist the charms of her face. At length she murmured, satisfied with herself, "Come, nothing is lost; I am still beautiful."
--The Three Musketeers by Alexandre Dumas Pere
